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I understand the pressures a Director Of Photography is under to quickly
deliver outstanding pictures that exceed the expectations of the Director
and Producer.
I have a complete understanding of the menu structure, the
matrix tables and coloring functions of the camera and work with the DP in
designing a look that complements the subject matter. I can
also provide consultation services as to what equipment and accessories may be of value
during the production, including the preparation of a requisition list for
submission to one or more vendors.
I also understand not to be vocal about lighting and equipment issues. I always avoid shouting out that the
picture is too dark or areas are too bright,
instead, I walk up to the DP and whisper what issues may be in need of
attention. This allows him or her to make corrections without any
production or crew member knowing an issue had arisen.
I am a team player and always look out for the DPs back. I know
how to interface with Producers and Directors and avoid becoming overly
technical with them and leave the final say to the DP, for it is the DP
who is captain of the ship, and I am just someone in the Engine Room
making sure there is enough fuel to get to where we've got to go.
I set up quickly and make sure the client has a quality monitor
that is properly set so they see the pictures the way they are meant to be
seen. I believe an effective team has to be well informed and have
their needs addressed quickly and without an attitude. I never wait
to be told to do something, more than likely I have already done it, but
if there is something amiss I address it quickly and do not need to be
told over and over again.
I try to give accurate updates as to the time it will take to be up and
running and If something does go awry, I strive to give an honest and
frank estimate as to the time it will take to return to production. |
